Saturday, April 25, 2009

Part Me, Part Others

by Gabi Pawelec

(In memory of Brad Will and Marcella “Sali” Grace Eiler)

 

Part I: Childhood

 

Ate mustard and radish sandwiches.

When tall enough to reach the stove

Cooked my own meals

Hamburger Helper or

Pasta with butter and oil

Bought on food stamps

From the Deli we lived on top of

In an Italian-American

White trash neighborhood

Where we were the outsiders

For being immigrants from Poland.

 

House cluttered with knick-knacks

Found off the streets.

Created a maze

An obstacle course

On the way to my bedroom.

Mom was never home

Always working her waitress job.

Dad was always somewhere

In his own world.

Loneliness made me pull at my hair

Classmates were the first to notice.

Bit my nails and cuticles until they bled.

Winter made my hands sting with regret.

 

Fell in love with books.

Loved touching the spines

Graced the edges of the pages

Softly to avoid paper cuts.

Books clutched tight to my chest

Walked through so-called shady neighborhoods

To get to the library

To touch those books

And bring them close to my body.

 

 

Wrote a book at the age of nine.

Never told anyone.

 

With no one to wake me up

Stopped going to school most days of the week.

Spent my waking hours

In my pajamas

Moving from the bed to the couch.

 

Part II: Adulthood

 

Left home shortly after High School.

Walls in my house were full

Of such sadness

I was afraid they were going

To cave in and swallow

Me whole.

 

I wandered.

Slept on the train

Going all the way

To the end of the line

And back.

Woken up by men and women

With suits and briefcases

On their way to work.

Park benches

In the middle of rainstorms.

Couches with bed bugs.

 

Found people

Who also left home.

They taught me

How to

Sneak into abandoned buildings

Hop turn-styles

Fix a broken bike found on the street

Dig through the trash for the good stuff.

Use quick schemes to make cash

Like selling panties online

Stealing and reselling things on Ebay.

I learned how to save my life.

 

 Part III: Love

 

Met a girl named Hazard

Hair soft as brillo pads.

On sticky summer nights

We outstretched our arms

Trying to reach the lampposts.

Rolled around

On wet grass

Underneath the stars

Waiting for the sun to come up.

She counted

My fingers and toes

Went from A to Z.

Delirious and giddy

We created bows

In each others mouths

With our tongues.

 

Part IV: Death

 

Decided to hop trains to Oaxaca.

Teachers were protesting

for better school conditions

and raises.

Elderly women stood between

Protesters and police

Screaming.

Night-sticks hit everyone

Heads bleeding

People falling down.

Was arrested for having a camera.

After three nights in a cell

Without food or water

Was raped by a prison guard.

Fist on my throat

Choked to death

on my own blood.

 

GABI PAWELEC is a native New Yorker currently living in Brooklyn. She is a CUNY student of Creative Writing and Queer Studies. She also enjoys baking cupcakes and riding her bicycle in skirts all over NYC. 

Brooklyn Girl

Lyrics by Natalia Gianella


Hey Brooklyn girl

Let me open my arms and hug you gently

Touch your tough dark skin

Embrace the curves of your dark body

 

Hey Brooklyn girl

Body carrying bloody history that still hits you

Still carrying

The burden of your grandmother

 

You speak singing like a Brooklyn girl

No matter where you come from

And I am a Brooklyn girl too

No citizen, no nation land

Staring at the window watching you pass by, my Brooklyn girl

 

Brooklyn girl you share the moment of the past

You wear clothes of the present

Paisana of whom

Sista of where

Brooklyn girl made me crazy

 

She is crazy girl now

Travel from so far just to become a Brooklyn ghetto girl

Share the streets, share the fight

To remain girl

No Mexicana, no musulmana nigga or inmigrante

 

Hey Brooklyn girl

 

Now you have long dark straight hair

And sell tamales at the corner

 

Brooklyn girl are you native of somewhere

Indigenous, original of what far, far land

 

Hey Brooklyn girl you cover your head, you dance like an African

Just plain pretty Brooklyn girl turning around the corner at the end of the street

 

                                                                                                                       

BORN IN PERU, Natalia migrated to the United States to complete a Master's in human geography at Syracuse University, NY. Since 2002 she lives in Brooklyn and divides her time between legal advocacy for migrant youth, music, writing and traveling. “Brooklyn Girl” is one of her first compositions. She was inspired to write the lyrics one summer afternoon in 2005, sitting on the steps of her brownstone in Clinton Hill with her Jamaican landlady. Under the Coney Island sun. The music came another afternoon singing with Tania Murphy and her guitar. Natalia now lives in Sunset Park but also forever belongs to Lima and the Andean landscape of her mother’s heritage. She is intrigued and inspired by displaced identities, and those reclaimed and reinvented in new local spaces.

www.myspace.com/lanataxx


DRAWINGS BY MARIA TAPIA: Born in Lima-Peru in 1977. She is an emerging artist with a Bachelor´s of Fine Arts in drawing and painting. María is also an illustrator and make-up artist. Living in Brooklyn’s Sunset Park since July 2007, she defines herself as an Inmigrante Peruana.

meri_musik@hotmail.com

www.flickr.com/photos/meri_musik

www.flickr.com/photos/MERIMUSIK



Knickerbocker Blues

by Nicole Delgado

1

no ha cambiado tanto el vecindario

he cambiado yo más que la calle

ansley haynes sigue siendo superintendente de la estación del subway

los chamacos siguen en su esquina

como en todas las esquinas de los barrios como éste

rompieron en dos la lavandería

las patrullas merodean las aceras buscando a quién culpar

yo arrastro los pies

traigo tristes los dedos y las uñas

la tienda de licores la cierran a la misma hora

hay una tienda nueva en el local que siempre cambia

la luz de la casa que antes fue mi casa está encendida

me pregunto si todavía tendrá

la misma cerradura (la misma cerradura)

 

2

entonces de acá tampoco soy

en cada lugar me desamparan las mismas circunstancias

esta puerta cerrada que puedo ser, así de simple

con la impaciencia que me crece entre los dedos

con estas ganas de irme

 

ahora es más difícil porque no existe dónde

aunque antes tuve llave de una casa en este vecindario

 

las luces desde el techo siempre me parecen

terribles y violentas (terribles y violentas)

 

3

afuera podría estar estallando la guerra

en este barrio es posible cualquier cosa

 

yo escuché disparos tal vez tú los oíste

o tal vez todos estamos demasiado ciegos

 

mañana la ciudad va a estar tan desamparada

 

yo quise que los afectos (yo quise que los afectos)

 

4

entonces lo que necesitaría

es esa llave de la casa de arriba

aunque en esta circusntancia

tampoco podría ir allá, con tanta gente

 

pero estoy tan incomunicable

tan desperdigada

 

que solté todos mis lazos

 

y ahora tengo vértigo (y ahora tengo vértigo) 



NICOLE CECILIA DELGADO (Puerto Rico, 1980) is a poet, traveler, and cultural organizer. After spending three years in NYC, she moved to Mexico City, where she currently works with the women writers collective Las Poetas del Megáfono and teaches bookmaking workshops. Her fifth book of poems, Violencias Cotidianas, will be published in Mexico, under Editorial Literal.

"I chose to publish this poem (Knickerbocker blues) in Spanish because I believe that part of the "local" experience has a lot to do with the language by which you live certain things. Knickerbocker Avenue was home to me for some time -- and we spoke Spanish at home. Every feeling or impression attached to the rememberance of the neigborhood happens in this language. Furthermore, when I tried to translate the poem into English, it became something else, so different, that it ceased to be local." 

Feel the Beat Enjoy the Trip




By Carla Trinidad

CARLA TRINIDAD is a graphic artist whose drawings, part of a series called “Feel the Beat Enjoy the Trip” are being published in this issue of L PAPER. The “Feel the Beat Enjoy the Trip” project was born when she moved to New York three years ago. She says, “What surprised me the most about the city was the waste of resources, which made me realize the lack of environmental consciousness. Every time I asked for a coffee they would give me a lot of extra unnecessary napkins that I wouldn’t use. I felt so bad about throwing all those virgin napkins in the garbage can. Therefore I decided to give them a better destiny...” Her project consists of making drawings over those blank napkins during her commute from home to work and vice versa. “My inspiration comes from the many visual inputs I found in the NYC Subway,” she explains. “The drawings depict real people or things I found interesting mixed with my imaginary world.” The result is that every drawn napkin has a story behind it and becomes a witness of a moment in her commutes. So far this project has 500 napkin moments.